Poetry I Have Known And Loved

(Sorry, the title made me grin.)

So I used to host a poetry open-mike. I like some poetry. Not all of it. Not even much of it. But here are some links to poems I really like. I realize none of this is particularly obscure or controversial, but hey, you might find something here you’re not familiar with.

“The Waste Land”,“Rhapsody On A Windy Night”,“Ash Wednesday”,“Preludes” — T.S. Eliot “For The Year Of The Insane” — Anne Sexton “Lament For Ignacio Sanchez Mejias” — Federico Garcia Lorca “The Two” — W.H. Auden “The Second Coming”, “Sailing To Byzantium” — William Butler Yeats “Contemplating Hell” — Bertolt Brecht “Kudzu” — James Dickey “Ulysses” — Alfred, Lord Tennyson

And here’s my favorite poem, by Kenneth Patchen:

Come now, my child, If we were planning to harm you would we be waiting for you here by the path in the very darkest part of the forest?

(And yes, Frank, I got that last one from Danse Macabre. Amazing how much of my early poetry experience came from Stephen King.)

links for 2007-12-10

When It's Perfect

I finished a new song today. Well, not a new song, precisely, but an older one that I sort of re-worked.

And it’s perfect. The mix is perfect, the notes are perfect, the sound is perfect. It’s precisely what I wanted it to be, no compromises.

I can’t stop listening to it. This is not ego, you dig. This is just “Holy shit, did I actually make this?” Alex listened to it and referred to it as “almost excessively pretty”. It’s simple, but I’ve realized I’m good with simple. Stylistically, it’s got a real “Fake Plastic Trees” vibe going on. And the lyrics have at least one The Invisibles reference.

The song is called “After The Ice Age”. And no, I’m not going to post it here. You’re going to have to buy the album. Which is more than halfway done.

You cut my picture out of the paper And you glued it to your wall You think you finally met someone famous But I’m really no one at all I’d like to move out of this ruin Into a cleaner kind of world You think I love you, but I know better I know you’re not that kind of girl

And I heard voices from the graveyard Chinese whispers from the dead So much memory, so much desire And so much left unsaid And there you sit in cat’s eye glasses With your perfect tiger smile You think I love you, but I know better You were laughing all the while

It doesn’t matter, we’re mad as hatters And the party’s just begun I’ll still be here after the ice age I’ll be staring at the sun You could be my Ragged Robin You could be my heart’s light You think I love you, but I know better But it’s lonely here at night….

Interview with Burial

The Wire: Adventures in Modern Music: Article

I don’t know anything about this kind of music, but I love Sam Cooke. I don’t know what it was about his songs, but he’d have some songs, and things on the surface were normal or happy, he’d be singing about having a party, there’s cokes in the iceboxes or whatever, and everything’s glowy, but underneath, it’s like he’s talking about something else, the last party on earth. Something in his voice. I’d rather do something like that than some icy cold electronic music, to try and get a bit of that in it.

This caught my attention, because I feel the same way about the song he’s talking about, “Having A Party”. It’s happy on the surface, but there’s a deep sadness in it, as well. Maybe it’s just the melody/chord progression. I always try to capture that same thing, to various degrees.

Burial’s newest album, Untrue, is pretty amazing. You should track it down, if you like electronic music.

The Islam Problem

In an essay for the Guardian UK, writer Ronan Bennett takes novelist Martin Amis to task for his alleged racism towards Muslims.

We can dispense with Amis’s polite fiction that he is talking about “Islamism”; there are just too many generalisations (“The impulse towards rational inquiry,” Amis wrote elsewhere, “is by now very weak in the rank and file of the Muslim male”), too many references to “them” and “us”. When he says, for example, “they” are gaining on “us” demographically, he is demonstrably not talking about “Islamists”. The danger of being overrun, outnumbered, outbred is a repugnant trope beloved of supremacists everywhere (it was used by the Evening Standard about “aliens” 100 years ago). It is, for example, horribly familiar to Arab Israelis, and to Irish Catholics (from whom Eagleton is descended). When Amis voices his fears of being overrun, he is, and he knows he is, perpetuating and enhancing the spectre of the other, and loading it with the potent imagery of swarming poverty, violence and ignorance.

I haven’t read Amis’s particular remarks here, so I can’t comment on them, but I have seen him behave like an ass in print before, and very little he says would surprise me.

However, there’s a far more interesting point here: is criticizing Islam racist? I don’t think so. Bennett himself disagrees, saying this:

Those who claim that Islamophobia can’t be racist, because Islam is a religion not a race, are fooling themselves: religion is not only about faith but also about identity, background and culture, and Muslims are overwhelmingly non-white. Islamophobia is racist, and so is antisemitism.

But a few paragraphs down he talks about the “sheer variety of belief” and “cultural diversity” within Islam.

I think the Muslim faith is generally infantile and dangerous. But I also feel that way about Christianity and Judaism. (I tend to look more kindly upon Hindus and Buddhists…not because I think their beliefs are any less stupid, but because they seem to be far more lassaiz faire than the Big Three in the West. There’s nothing, so far as I know, in Hindu or Buddhist faith about killing or converting infidels. So they’re definitely a lot less dangerous.) I do think that Amis’s statement that rational inquiry is short on the ground in the Muslim population is probably true…but the same can be said of fundamentalist Christians or orthodox Jews.

On the other hand…well, I can’t remember the last time the Pope issued a death edict to anybody for suggesting that Christ may have been making it all up, or that Jews rioted violently over cartoons mocking Moses, or the last time someone was arrested and threatened with serious beating and/or death for naming a teddy bear Jesus. Despite the excesses of Mossad, Jews are not particularly known for suicide bombing.

Is it some sort of Western cultural imperialism to suggest that killing people for disagreeing with or disregarding your faith is pretty goddamn barbaric? That stoning women to death for perceived misbehavior — another act that happens at least a few times a year in Islamic communities, and not so much in Christian or Judaic communities — is something other than merely a different cultural norm?

And if the Islamic community in general is really so outraged and scandalized by these lunatic behaviors, why do those who commit them generally go unpunished either in secular or religious courts?

I do not believe this has anything to do with any particular ethnic groups within the Islamic diaspora at large. For many centuries, Arabic culture was far more rational and refined than European culture, by anybody’s standards, for example. I don’t even think that intolerance, barbarism and misogyny are indelible signifiers of Islam itself. And I believe that there is much of philosophical and sociocultural value to be found in the Qu’ran, as there is in the Bible and the Talmud and the Bhaghavad-Gita, even if you do not choose to join the faiths associated with these works.

But it’s hard to argue that, out of the three belief systems that dominate in the West, Islam does seem to produce the most violence both within and without its ranks.

I don’t think this means Islam should be suppressed (or at least, suppressed any more than any other religion), or that Muslims ought to be persecuted. People have a right to their beliefs, no matter how goofy.

But I do think that the Islamic community at large might want to think about reconsidering the tolerance with which it handles the more lunatic fringe within itself. Or hire some better PR people.

Of course, you could say the same thing of Martin Amis.

RIP Karlheinz Stockhausen

German composer Stockhausen is dead – Yahoo! News

Stockhausen’s electronic compositions are a radical departure from musical tradition and incorporate influences as varied as psychology, the visual arts and the acoustics of a particular concert hall.

I was never a big fan of Stockhausen from a listener’s perspective — his work isn’t very accessible — but it’s definitely the root of everything we do as electronic musicians, and I have a lot of respect for him.

Karl and Bob Moog are probably hanging out somewhere now, irritating people with magic synthesizers.