Scatterlings + Refugees: New Album Version
I’ve re-recorded “Scatterlings + Refugees”, or rather remixed it and added some new guitar bits. It’s a lot more rock ‘n’ roll now — in fact, the new guitar solo between the third chorus and the bridge reminds me of something you might have heard on an old Uncle Tupelo album. No, really. Plus the drums are better, more organic, and it fades in on the hand drums. I like it a lot better — I think this is more of what I meant, if that makes sense.
Four guitar tracks — two doubled acoustics, one picked electric, and one lead. Nice.
(I’m not going to post any more tracks until I’ve got the sessions finished, at which point I’ll up the whole album for your enjoyment.)
Picture From First Friday
Here’s a picture of me, taken by the lovely Republic of Seana at First Friday. You can sorta see my projected art in the background.
And yes, that’s a cross around my neck. And no, I haven’t turned Christian. It’s my good luck cross.
CBC.ca Arts – Thieves escape with $163M of artwork in 'spectacular' Zurich heist
CBC.ca Arts – Thieves escape with $163M of artwork in ‘spectacular’ Zurich heist
A trio of armed and masked men stormed into a gated Zurich villa a half-hour before the facility was set to close on Sunday and forced staffers to the ground during the daylight theft, police said on Monday.
Having been to Zurich, I suspect whatever weapons the men were carrying were totally unnecessary. They could have simply brought a couple of bags of used McDonalds burger wrappers and threatened to leave them lying about on the ground. Or simply promised to be mildly unruly if their demands weren’t met.
Although, that might have been overkill. No need to shut down the entire city or anything.
(See, it’s a joke, because Zurich is really tidy and neat and fussy and…oh, never mind.)
Charles Fawcett – Telegraph
Read this guy’s obit. This is what a man looks like.
In Which I Pull My Junk Out And Slap The P2P Geeks With It
This post over at Torrentfreak.com really pissed me off. So I let fly at all the little assholes who keep claiming peer-to-peer technology is “good” for independent musical artists and labels. And I stand by what I said.
Wow, that’s so awesome that p2p is so helpful to minor label artists! I mean, it’s so neat that, instead of getting paid for the long hours of work one puts into writing, recording and producing an album, one can actually live on the goodwill of grammatically-challenged retards all around the world! Come the fuck on. You wanna steal shit from artists, fine, but don’t talk about how you’re helping them. I’m sick of listening to p2p pundits burbling along about how helpful they are to artists. There’s no politics of liberation here, no high minded idealism. You’re fucking scumbags who just want shit for free and don’t care whether or not the people who make it benefit from their labor. P2P does not help artists make money. Period. Sorry, I’ve heard all the arguments, and none of them hold water. Having your shit on Gnutella or TPB is a good way to get exposure…but exposure does not translate into “making a living”. Something you little piglets don’t ever seem to understand is that, in order for an artist to profit from touring, somebody has to underwrite the costs of touring. That somebody — not counting rich kids who can afford to take three months off and pay for vans and equipment and personnel costs — is called a “record label”. And labels won’t fund tours — which artists make the majority of the profits from — if the label can’t make money off album sales, which is where their profits come from. And you’re not making money selling merch unless you’ve got yourself a fan base…which, by and large, comes from touring. The difference is that big labels are part of massive conglomerates, who are far better at riding out the costs of producing and distributing music than small indie labels. If Sony BMG sells a million less copies of a Britney Spears album because of Net piracy, no big deal. But a small label isn’t doing twenty million units for every album. In most cases, they’re lucky if they’re moving 100,000. So you’re hurting the indies a lot worse by not buying the music you like that they are responsible for bringing to you. But none of you actually know that, because you’re perfectly content to wax rhapsodic about the destruction of the record industry with absolutely no goddamn understanding of how that industry works. You have some stupid fantasy that Cory Doctorow sold you and that’s the limit of your knowledge. Christ, it’s like listening to Star Trek fanboys trying to expound on how NASA builds spaceships. You’re clueless little dweebs. I’m not saying that the record industry in its current form is a good thing. It’s not. But YOU’RE NOT OFFERING ANY REAL ALTERNATIVES, except suggesting that musicians should be happy with whatever you deign to throw their way, like medieval beggars standing outside the gates of the palace begging for scraps. You’re tearing down a corrupt system and replacing it with precisely nothing at all. Well, fuck you, you little douchebags. You are not heroes. You are not liberators. You just don’t want to pay for the art you enjoy. Keep justifying that to yourself. And when the indies keep shutting down, and all you’re left with is the mindless pop crap that the majors know they can sell to hormonal teenagers from Vancouver to Cape Town, don’t fucking whine, because it’s your fault. Accept responsibility for your sociopathic behavior.
Yeah. That’s how we roll in my motherfucking hood.
I Love This Town.
Alba wows geeks at Oscars' tech fest – Yahoo! News
Cute story about Jessica Alba presenting the technical Oscars. The nerds are totally awesome.
“Fluid effects rock and all of us who work in fluids know this,” one honoree, Nafees Bin Zafar, said earnestly. […] “For a computer geek like me, it’s really sexy to hear Jessica talk about stable, semi-Lagrangian fluid flows,” quipped Duncan Brinsmead of Autodesk, a developer of the tools for visual effects.
For the record? Any woman talking about stable, semi-Lagrangian fluid flows makes me pop a chubby.
Three Days Was The Morning
[Holy shit, I’m over 10,000 words into this. I haven’t gotten that far into any fiction in a long time. I know these excerpts don’t make any sense, by the way. And they’re not in direct linear order. There’s lots of stuff in between. Also, can anybody name the Okkervil River reference in this one?]
[Oh, yeah: this one’s for Jeremy Snyder, wherever you are, bro.]
The first day I ever saw Val Sutton was the first day of freshman year. She’d gone to Kenwood Christian School before that, but Kenwood only went as high as eighth grade. And so, probably to the horror of Kurt and Meredith Sutton, she’d been cast down amongst the unclean hordes of Forreston High.
And she looked it too, man. That first day, she was wearing a denim overall dress that went down to her ankles, a lacy frock kind of thing with a neckline higher than my t-shirt, and a pair of those two-tone saddle shoes that Catholic girls wear, even though Kenwood was Episcopalian or Lutheran or Hutterite or some goddamn Protestant thing. Her hair was pulled back in a ponytail so tight you could almost hear her scalp screaming. She wore no makeup and no earrings. (Not that I had any room for fashion critique; I think I showed up that day in a Vanilla Ice “To The Extreme” t-shirt and a pair of neon MC Hammer harem pants.)
I don’t know why I noticed her that day, except maybe that she had this rabbit look in her eyes like she was going to bolt at any second. I think I probably felt sorry for her.
The next time I saw her was two months later. I was hanging out in Bradbury Park by myself, sitting on a picnic table in the shade near the bottom of the hill and working my way through a half-pack of my dad’s Camels that I’d filched off the dining room table when he wasn’t looking.
“Can I have one of those?” I turned and there was Val, dressed a little less like a door-to-door missionary this time, in a black t-shirt and tight pegged jeans with little bows at the ankles. She still had the saddle shoes, though.
“Uh, yeah,” I said, and handed her one. She lit it with my matches and sucked the smoke into her mouth, but didn’t inhale.
“Thanks,” she said. “Can I sit here?”
“Yeah,” I said. She climbed onto the table next to me.
“You’re Valerie, right?”
“Yeah,” she said. “But I don’t like being called that.”
“Sorry.”
“It’s okay. You didn’t know. Val.”
“Okay, Val.”
We talked a little bit about school, about the teachers we both hated — Mr. Olafsen, the history teacher, being a widely-known and particular asshole. Finally, she put her cigarette out carefully on the ground.
“I gotta go,” she said. “Thanks for the cigarette. I’ll see you around.”
“Yeah,” I said. “I’ll see ya.” I watched her walk away. It just seemed so weird — some preppie Christian chick bumming a smoke off of me.
A couple of days later, I was walking home down Cherry Street. A couple of older kids were parked a block away from the school. They were all wearing clothes that looked, to my freshman eyes, like something a crazy homeless person might put together out of stuff they found on the street. They wore oddly-shaped sunglasses.
And they were listening to this music, like I’d never heard on MTV or the radio, this strange, dreamy rock and roll with guitars that sounded like chainsaws in a cave. “Listen to the girl, as she takes on half the world, moving up and so alive, in her honey-dripping beehive…” some guy sang. He didn’t have a high voice like Vince Neil or Janey Lane from Warrant or any of the other rock bands I knew. His voice was low and almost conversational.
I walked past them nervously. They looked like druggies.
And, horror of horrors, as I passed the car, the guy in the passenger seat rolled down the window. He had a ponytail and a bunch of earrings in his ear, and one in his nose.
“Hey, dude,” he said, “you got a smoke?” Laughter from inside the car.
“Uh, yeah,” I said, just like when Val had asked me, and I pulled one out. I handed it to him. He nodded and lit it with a big wooden match from a box.
“Thanks, man. What’s your name?”
I told him. I didn’t walk away. I didn’t know why. I just stood there.
“Nice to meetcha. I’m Mike. You a freshman?”
“Yeah. Are you seniors?”
“I am,” he said. He jerked his thumb at the girl behind him at the wheel, who I couldn’t see very well. “She’s a junior.”
“I like your music,” I said, and I did, though I didn’t know why I liked it. It was weird. But it was cool, and kind of beautiful.
“Right on,” he said. “It’s the Jesus and Mary Chain.”
“I’ve never heard of ’em,” I said. He laughed. “They’re from England or Ireland or something. They’re not real famous, but I fuckin’ dig em, man.”
“That’s cool,” I said, completely meaninglessly.
“Hey,” said the girl behind the wheel. She kind of looked like a prettier version of the guy, Mike. “You wanna hang out with us? We’re going over to Granny’s for coffee.”
“Cool,” I said. “Hop in,” said Mike the ponytail guy, and I jumped in the back seat.
And that was how I met Mike Webster and his sister.
About six weeks later, I walked up to Alicia’s car after my last class. I had the Jane’s Addiction tape she’d loaned me the day before, which I’d carefully dubbed onto one side of a Maxell 90 minute tape with my shitty little K-Mart boombox. My dubbed tape collection was rapidly filling up, thanks to the Websters — The Pixies, the Sex Pistols, David Bowie, The Cure, Primus. I was a ready and willing student. My Vanilla Ice shirt had gone into the dumpster behind the house, replaced with ripped black jeans (to my mother’s horror) and a Ramones t-shirt I’d bought at the record store in Worthington when I’d gone over there with my dad for a dentist’s appointment.
When I got to the car, I saw Mike and Alicia…and there was Val Sutton. Gone was the clenched-fist ponytail and the pegged jeans with the bows. Now her hair was dyed a deep shade of red and she wore a sun dress with a leather jacket over it and knee-high combat boots. She had a sort of crushed velvet old lady hat on that hung loosely around her face.
“Hey,” Alicia said. “You know Val?”
“Yeah,” I said. I gave her a little wave. “Hey.”
“Hey,” she replied. I saw Mike give his sister a wink, but I didn’t get it, not then.
“Hey,” Alicia said. “Have you got that Jane’s tape? I was gonna let Val borrow it after you’re done with it.”
“Yeah, I got it right here.” I reached into my backpack and produced the tape. Ritual De Lo Habitual. I handed it to Val.
“You’ll fucking love that, sweetie,” Alicia said. “It’s so fucking good.”
“Let’s go get coffee,” Mike said. He howled for no apparent reason and flung himself over the hood of his sister’s car.
“Cunt!” she shouted. “Don’t break my fucking car!”
“Car!” he shouted back at her. “Don’t break my fucking cunt!” He rolled his Rs theatrically.
Val and I looked at each other, bemused. I could tell she had as little idea of what to make of all of this as I did. But we got in the car anyway, and Alicia hit the gas and roared off, some Ministry song blasting at full volume.
And that was pretty much that.
Anonymous Go Up Against Scientology In Australia
For more on what this is all about, watch this:
BTW, my favorite bit in the first video is the guy in the V mask. Rad!